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- The Edward Lear 2012 Celebrations
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- Lear’s Diaries
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- Bibliographies and Links
On Lear and Nonsense
- A Very Good Children’s Book (1865)
- Nonsense Verse, &c. (1880)
- Word-Twisting Versus Nonsense (1887)
- Concerning Nonsense (1889)
- Delightful Nonsense (1890)
- G.K. Chesterton, A Defence of Nonsense (1902)
- The Poems in Alice in Wonderland (1903)
- Limericks (1903)
- Ian Malcolm on Edward Lear (1908)
- G.K. Chesterton, Two Kinds of Paradox (1911)
- H. Jackson, Masters of Nonsense (1912)
- H. Hawthorne, Edward Lear (1916)
- G.K. Chesterton, Child Psychology and Nonsense (1921)
- How Pleasant to Know Mr Lear (1932)
- G.K. Chesterton, Both Sides of the Looking-Glass (1933)
- G.K. Chesterton, Humour (1938)
- G. Orwell, Nonsense Poetry (1945)
- George Orwell, Funny, But Not Vulgar (1945)
- Michele Sala, Lear’s Nonsense: Beyond Children’s Literature
- Audubon Made Up At Least 28 Fake Species To Prank A Rival @atlasobscura atlasobscura.com/articles/audub… https://t.co/4ru3sxE9j8 3 hours ago
- From The @guardian: John James Audubon and the natural history of a hoax theguardian.com/books/booksblo… https://t.co/34JRnlE0yT 19 hours ago
- Katharine West, Nonsense and Wit (1946) nonsenselit.wordpress.com/2016/05/02/kat… 1 day ago
Tag Archives: travel
I have been checking and fixing a few links in the bibliography pages and added a new, interesting article to the Studies on Edward Lear page: Antinucci, Raffaella. “‘Sensational Nonsense.’ Edward Lear and the (Im)purity of Nonsense Writing.” English Literature … Continue reading
John Fuller, “Edward Lear in Corsica.” Times Literary Supplement, 7 July 1995. New Selected Poems: 1983-2008. London, Chatto & Windus, 2012. Is it not unpleasant, at fifty-six years of age, to feel that it is increasingly probablu that a man … Continue reading
Attibuted to Edward Lear, Mount Athos. Bears signature, date  and inscription, watercolour and pencil. 37.5 x 17.5cm (14 3/4 x 6 7/8in). Bonahms.
Edward Lear, Ravenna. Watercolour, signed with monogram, 11.1x18cm. Roseberys.
Edward Lear, Monte Corno, or Gran Sasso d’Italia. Watercolour, signed with mongram and titled, 16.1×25.4cm. Roseberys.
Edward Lear, Pentedattilo, Calabria. Watercolour, signed with monogram, 16.1x22cm. Roseberys.